Through my work I explore ideas about the natural and man-made worlds. I think of these terms as existing in a particular way, and I imagine my “natural” world at one end of a continuum while my “man-made” world exists at the other end. Through the investigation of drawing, I find out what happens along the continuum when one way-of-being is giving way to the other.

“Debris” as a subject bridges my ideas about these worlds. I have been interested in demolition sites because they appeal to my ideas about the natural world’s tendency toward chaos. This tendency manifests itself in the crumbling and splintering of man-made facades; however, demolition sites are also indicators of civilization’s cyclical nature- we destroy our structures in order to make way for new ones.

Within the often indeterminate spaces I portray, imagery, recognizable as detritus, floats alongside fragments of marks and patterns. Ambiguous places, exploded imagery, and broken motifs within my work correlate with what I perceive both in my internal and external environments as a constant state of flux.