On View: March 31 - April 21, 2018
Opening Reception: Saturday, March 31, 2018, 7-9pm
Sari Workshop & Sing-A-Long: Saturday, April 14, 3pm
Artist Talk & Closing Reception: Saturday, April 21, 3pm
Civilian Art Projects presents Weather the Storm: New paintings, video, prints, and saris by DC-based artist Monica Jahan Bose. The exhibition opens to the public on Saturday, March 31 at 7pm and will be on view until April 21, 2018.
Weather the Storm is the culmination of numerous performances and climate art actions that Bose has led since November 2016. The title of the exhibition derives from a Bengali song that the artist has been singing in her performances, lines from which appear in her paintings. She has taken Tagore’s “Kharobayu Boye Bege (Storm Winds Are Blowing)” and replaced “O boatman” with “O Woman” to create a feminist song about working together to row a boat to shore during a storm.
Over several years, Bose has collaborated with homeless women from Calvary Women’s Services in Anacostia; women from One Billion Rising, a global platform to end violence against women; and the women of her ancestral village, Katakhali Village, Barobaishdia Island, Bangladesh. Bose’s performances, paintings, videos, works on paper, and saris explore themes of empowerment, environment, mythology, and community.
According to the artist, “My new performance paintings try to capture the power of the body outdoors, situated in nature and the built environment, struggling to undo our damage to the earth. I returned to painting on canvas to document performance because paint best expresses movement and the strange magic of performance. Actually, I plan my performances as live paintings, with aesthetics as important as meaning. The exhibition creates a sensory experience of my recent multi-layered performance art actions on climate change.”
A Bangladeshi-American artist and lawyer who has lived in seven countries, Bose uses Bengali and English text and women’s writing as integral elements in her work, highlighting multilingualism and women’s agency and literacy. Bose has long used the sari — 18 feet of unstitched handwoven fabric — to represent women’s lives, both in her paintings and in her ongoing social practice project, Storytelling with Saris.
She has started using the coconut as a symbol of climate resilience. Each of her recent performances about climate change — in Miami, Washington, DC, Honolulu, Paris, and Katakhali Village, Bangladesh — involved months of planning to create a woman-centered community, which comes together to collect dozens of coconuts to build a raft, sew saris together to make a massive sari, write carbon reduction pledges on saris, or grow and plant a coconut tree.
The exhibition is accompanied by a new publication, I, and is funded in part by a grant from the DC Commission on the Arts and Humanities, which is supported in part by the National Endowment for the Arts.
Bose has exhibited her work extensively in the US and internationally (17 solo shows, numerous group exhibitions), and her over 20 performances have engaged thousands of people. Her ongoing collaborative project Storytelling with Saris has travelled to nine states and several countries and been featured in numerous publications and TV and radio programs. Her work has appeared in the Miami Herald, The Washington Post, Art Asia Pacific, The Milwaukee Sentinel, The Honolulu Star Advertiser, The Japan Times, and all major newspapers in Bangladesh. She recently created a large-scale installation and performance for the Smithsonian’s Ae Kai Culture Lab in Honolulu. She will travel to Athens in July for a solo exhibition in connection with the UNESCO World Book Capital celebration. She has a B.A. in the practice of art (painting) from Wesleyan University, a post-graduate diploma in art from Santiniketan, India, and a J.D. from Columbia Law School.